Tuesday, 26 November 2013

Album Review: Heart Like A Sky (1989)

Although Spandau Ballet didn't have much succession in the UK and the US with their fifth studio album, Heart Like A Sky; released in 1989, it still became a favourite album of many listeners and fans. The album, changed the ways people saw the 1980's New Romantic Movement forever. You could say it was just 'Alternative Rock'. 


I've noticed, in every single track on that album, the lyrics, are about love, gaining and losing lovers. Take 'Crashed Into Love' for example. The message is simple, being hit from heaven means people crash into love, I think. 

I really love Motivator (track 5), teaches people to be motivated by the frontman who's singing the song, and a wonderful composition by upcoming songwriter  Steve Norman. If it was up to him, I think he would have written the entire album!!!

Overall, only if this album only achieved success in foreign places like Italy and France, it comes to show that this album was severely underrated and many people didn't have a taste for alternative pop music in 1989. But, after the release of the twelve inch mixes in the nineties, they changed their minds. 

Flea 

Monday, 25 November 2013

Martin Kemp Monday

Hello once more, everyone!

For people who have been reading this blog since it first kicked off, you'll certainly know what time it is in the week, and I certainly don't need to ask the question. Let's kick off with a certainly sassy MJK Monday!


Photographed for 'Star Hits' magazine in 1986.


In London, England, late 90s. 


Spandau Ballet's second appearance at the once renowned club Soho, early eighties. 


Post or pre Live Aid, 1985. 


Heart Like a Sky promotional photograph, 1989. 


Parade tour, 1984. 

Well, I hope you enjoyed this fix of photos, stay tuned in for more on the page and on here next week!

Flea 
http://www.facebook.com/JourneysToGlory









Our Favourite Member this Month

Hi everyone!

On our Spandau Ballet fan page, we've decided to up the ante in terms of improvement by stopping the monthly poll, because nobody these days tends to vote, and we've always bad to put it between ourselves (the managers and myself) who we think should win. This month, is the last time it happens. We've decided not just to look at their physical appearance, because in some respects, they're all good looking. I listened to True, with earphones with deep bass, so I can hear who's the best at playing their instrument. And this time, we've chosen Steve as our favourite member this month. Not because he was the 'Blondie' of the group, knew how to grab ladies' attention by showing off his body in tight Speedos, because of his ability. If you've listened to the Journeys to Glory album, you'll know quite well he played a mean guitar. And later on, a mean sax. Steve, we love you. But for how long?


Flea

Saturday, 23 November 2013

Gold (1983)




As we all know already, Gold is a household name. We wear it on our fingers, on our clothes, wrists, necks...but we also have it on our iPods, phones, CDs, and records. Gold by Spandau Ballet was one of the best ever creations by Gary Kemp to have ever hit the charts. The message is quite simple, "Always believe in yourself, because you're indestructible". It tells people to have faith in themselves, regardless of their surroundings or who they are. I personally, love this song because after a hard day of hassle of both parents and teachers at school, I feel Tony is singing to me, and this makes me feel better.

Do you like Gold?

Flea

Saturday, 16 November 2013

New Romantics meets Classic Rock.

I was looking for new material to put on the fan page earlier today, and I came across a photograph that made me rethink what I was going to blog tonight. Gary mentions him once in his book, and they performed at Live Aid 1985 with their bands.



John Keeble, posing with Pete Townshend of The Who. And he's doing that scary thing called smiling. They look almost like they're enjoying themselves and getting on just like best friends. No problem with that.  I've tweeted him with the photograph to see if he has any comment on it, no luck so far. Spandau Ballet's retweeted it, and Steve too. All I know is that New Romantics has finally met Classic Rock, and not fought (though Pete's a god and John just puts it on for fun). It's on my twitter (@Spandau_Ballet and @ExileOnKeefSt) if you would like to see it and share it with your friends. So far, I've had four retweets and two favourites. Let's make this viral!

That's what I said a couple of hours ago. And now he has! 









Flea

Wednesday, 13 November 2013

True [1983] Lyrics & Video

Press play to listen and watch one of Spandau Ballet's best ever songs, that stormed the charts in the eighties. True. You'll find lyrics further down the page.

Enjoy!

Flea









© Chrysalis (Reformation Records) 1983

Lyrics:

(Ha-ha-ha, ha-ah-hi)
(Ha-ha-ha, ha-ah-hi)

So true
Funny how it seems
Always in time, but never in line for dreams
Head over heels when toe to toe
This is the sound of my soul
This is the sound

I bought a ticket to the world
But now I've come back again
Why do I find it hard to write the next line?
Oh, I want the truth to be said

(Ha-ha-ha, ha-ah-hi)
I know this much is true
(Ha-ha-ha, ha-ah-hi)
I know this much is true

With a thrill in my head and a pill on my tongue
Dissolve the nerves that have just begun
Listening to Marvin (All night long)
This is the sound of my soul
This is the sound

Always slipping from my hands
Sand's a time of its own
Take your seaside arms and write the next line
Oh, I want the truth to be known

(Ha-ha-ha, ha-ah-hi)
I know this much is true
(Ha-ha-ha, ha-ah-hi)
I know this much is true

I bought a ticket to the world
But now I've come back again
Why do I find it hard to write the next line?
Oh, I want the truth to be said

(Ha-ha-ha, ha-ah-hi)
I know this much is true
(Ha-ha-ha, ha-ah-hi)
I know this much is true

This much is true

(This much is a-true-oo)
(This much is a-true-oo-oo)

I know, I know, I know this much is true
(This much is a-true-oo)
(This much is a-true-oo-oo)

(This much is a-true-oo)
(Ha-ha-ha, ha-ah-hi)
(This much is a true-oo-oo)
I know this much is true
(This much is a-true-oo)
(Ha-ha-ha, ha-ah-hi)
(This much is a true-oo-oo)
Know this much is true
(This much is a-true-oo)
(Ha-ha-ha, ha-ah-hi)
(This much is a-true-oo-oo)
(Know this much is true)
I know, I know, I know this much is true

© Gary Kemp, 1983






Friday, 1 November 2013

Book Review: I Know This Much [Gary Kemp] (2009)

Gary Kemp's written memoir, I Know This Much, explores many themes such as Soho, Spandau, love, death, music, and growing up in 1960's London. It is written well and will definitely engage the reader from cover to cover. 




At the start, we are able to explore the feelings expressed by Gary on the day of the court case against his own friends, Tony, John and Steve, and how they were once one, a wonderful band, Spandau Ballet, and wonders why it all fell apart in the first place. The embarassment, the sadness of it all. Why did this happen? Why did one man, a successful songwriter, have to be betrayed by his friends?



Soon after we are flash forwarded to Christmas 1969, where the disappointment of getting a guitar for Christmas soon turns into inspiration of starting a band of his own. We learn about life as a baby, his parents and how money was tight, sharing a house with other members of the family, and the notorious little pranks played on his brother Martin, which ended in a smacked back side. I could detect a note of jealousy as soon as I read this and was able to empathise, having a younger brother of my own, which when he was born, craved all the attention. 



Throughout the book we learn about his education, the nicknames he was given for owning a jacket with G on it, how he met each Spandau Ballet member (they were known as The Makers then), and how Spandau rose to fame.



Personally, my spine chills after looking after the second set of pictures when he goes to meet Ronnie Kray in prison, in the late 1980's, after splitting up with Spandau and prior to filming the Krays movie with brother Martin. As we all know, they did a really good job, and this is how they got their claim to fame in the acting department. I feel for him when he breaks up with his first wife, who he has a young son with, but I lose all this tension when he eventually wins the court case against the trio, and victory that should have been his in the first place. When Spandau ballet plan to reform in 2009, Gary tells us about that adrenaline rush, and the gladness that the fabulous five have finally made up and going back on tour again. 


The saddest part of I Know This Much is the loss of his Mum and Dad, a few weeks apart from each other. To lose the two special people who raised and nurtured you is a very heartbreaking time, though in some respects, was the best way to say goodbye to them, after years of pain and trouble. Gary tells us about his feelings about losing his Dad first, having resuscitated him after he suffered a severe heart attack on the loo in his Islington home, which has no outcome, and he dies 24 hours later, soon to be followed by Mrs Kemp.

In conclusion, I really loved reading this book, I didn't lose interest one bit, it was very gripping, engaging, and funny, especially the bits when John used to get drunk on stage and play the wrong notes. I would definitely recommend this to a friend and fellow Spandettes, newbies or experienced. 10 out of 10. 

Flea